Thursday, July 27, 2017
Seattle based bandTransient Songs are back. We reviewed their debut album "Cave Syndrome" way back when and made comparisons to a couple of Australia's finest 80's pop rock bands The Church and The Go-Betweens. The title track of the album starts with the lyrics "She rose up" and it's eerie just how much this tune sounds like Grant McLennan penned and sings this well-crafted pop ditty. "Shopping for Coffins" is a little touched by the psychedelic pop of The Church and this reviewer once again finds it difficult not to think of Steve Kilbey and Grant McLennan's Jack Frost project.
If you're scared of ghosts then avoid this album because the spirit of Mr GW Mclennan is everywhere on this release that it sends shivers down the spine. The press kit makes a comparison to the Afghan Whigs but it's hard to hear similarities other than strong melodic songs. I'd strongly recommended to fans of The Go-Betweens and The Church. If you were looking forward to another Grant McLennan solo outing this should suffice nicely so you can grab this album when it comes out on August 8, 2017.
Transient Songs Website
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Sunday, July 23, 2017
My initial thought upon perusing MRTVI's chosen handle was that they would somehow be influenced by Iggy Pop and The Stooges but in their Serbian and UK dwelling places MRTVI have their collective feet within the realm of experimental black metal. The members of MRTVI say this of their "Negative Atonal Dissonance" 3 track release.
"Negative Atonal Dissonance" is not an album. It is a statement, a philosophy, an experiment; a rejection and reaction to the current trends within the mainstream and underground alike. Extreme metal has painted itself into a corner. Production values that serve no other purpose other than to sound recognisable and palatable. Arrangements, rhythms and harmonies that are more concerned with being identifiable and 'viable' than with originality. In an infinite universe, music is endless; a spectrum of emotion, of atmosphere, a vibrational connection running through and joining all frequencies; a spiritual, meditative practice, a dream and a nightmare connecting the creation with the creative force..."
The first track "As Consciousness is Harnessed Pt1" is very much experimental music and will have black metalists pondering whether this is true metal or just as kvlt as it gets. This track is stylistically closer to Einstürzende Neubauten than any black metal band. The second track which shares the same name as the first starts out very much in the black metal camp but then becomes much more chaotic and experimental. The production here could only really be described as raw. At times MRTVI convey a feeling of minimalism, the drums sound like drumsticks banging on a desk and at the other times it sounds like a kettle is being hit. The lengthy tracks combined with the black metal requisite soundscape of bumblebees from hell convey an eternal living nightmare. If sounds like your cup of black metal tea, the second track on MRTVI's bandcamp page linked below.
Release Date: 30 July 2017
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Friday, July 21, 2017
Dutch death metal band Sinister have been knocking around since the 1990's. The band have split then got back together a number of times. After their 2003 split they recorded the four song demo "Gods of the Abyss"which lead to a record deal with Nuclear Blast. In 2017 Dutch label Vic Records have released the demo for public consumption.
The songs are undeniably crushing death metal but Sinister intertwine elements of more traditional metal. Whilst the vocals are like a caveman chewing sandpaper, there's a strong Iron Maiden influence in the guitar riffs on a couple of these tracks which would pique the interest of more than just the casual death metal fanatic. Listening to these tracks, it's easy to understand why Nuclear Blast signed these. The opening track "The Grey Massacre" effortlessly chops from mid-paced crunch to full speed ahead death dealing.
All the tracks here are very good examples of early death metal however "Altruistic Suicide" and "Afterburner"are Sinister at their peak on this release.
Sinister on facebook
Sunday, July 16, 2017
Australian band Screamfeeder have been knocking and playing their brand of indie pop for about for quarter of a century. The combination of male and female vocalists has drawn comparisons to The Go-Betweens however for many Screamfeeder songs the female voice is upfront rather than relegated to the background.
The band mix up the style of their song without straying far from indie pop territory. There's a definite Pixies influence seeping through the tunes "Falling" and a touch of the poppier side of Husker Du in "Got a Feeling". "Going to California" is a quick punk style burst with a heavy dosage of pop.
Prepare yourself for cake and booze, because the distorted "Making it Up" is a good cause for fans of Australian indie pop as it looks to Australia's indie pop past as it contains a hint of Grant McClennan without feeling like a carbon copy of what has gone before.
While there is variation between the songs on "Pop Guilt" which takes away any boring sameness, there's a lingering feeling that editing this album and chopping a number of songs would have been much a better move than lengthening the album by providing bonus tracks.
Release Date: 23 June 2017
Screamfeeder on bandcamp.
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Saturday, July 15, 2017
If you've been involved in the metal underground since the days that metal fanzines were printed on paper then there's a good chance that you've heard of German noisecore band Blood especially since the band released their first record on the US label Wild Rags records back in 1989 and at the time the label seemed to be in every metal fanzine.
Vic Records recently released their fourth album "Mental Conflicts"which the band released back in 1994 finds the band utilizing both grindcore and slowing down and edging towards death metal within their rotting musical stew so it's not all fast and furious. As the best Blood tracks are short and quick bursts that's the review over.
Check out the title track in this video clip.
Release date: 23 June 2017
Friday, July 14, 2017
Bleeeeeurggggggghhhhhm, blurggggghhhhhhhhhhhhhhhhhhhhhhhh, beeeeeeeelchhhhhhhhhhhh. society, bllaaarggghhh, basically sums up both the vocals and the lyrics for brutal death metal band, Pathology. It sounds like the vocalist is trying to escape from inside a washing machine while it's doing a spin cycle but he is a complete failure as a soldier in the war against machines and is also crying his eyes out. The music is relentless fast brutal death metal with very little time to slow down and honestly when Pathology slow down and abandon the vocals, they sound like a good band unfortunately these parts are a very small percentage of this release. The drums are absolutely punished at a speed that sounds like the man handling the sticks has either never heard of or desires repetitive strain injury. The guitar sound is clear but those annoying vocals are way too loud in the mix. It's really difficult for a casual listener to distinguish between the bursts of noise (let's not call these creations songs) as there's no obvious starting and stopping points as Pathology take the same stand to intros. Despite the fact that Pathology are now up to album nine with their self-titled, there's definitely no desire from these parts to explore their back catalogue as this release totally misses the mark.
Pathology on facebook